As an editor of a poetry magazine, I have read thousands of poems in my nineteen years on the job, and not all of them are worth even the time it takes to read them. But then, there are these. These are the poems that changed my days, my ways, my life, or my mind.

4.10.2012

Thousand Books by Bill Yarrow

I gave away 1000 books.  Books I hunted.
Books I savored.  Books I cared for.
Books I marked.  Books I taught.
Books I browsed.  Books I amassed.
Books others gave me.  Books others
sold or abandoned.  Books I kept.

I stuffed them in collection bins,
filled discard shelves, solicited readers,
advertised them, offered them,
boxed them, marked them,
hawked them, mailed them,
promised them, carried them,
scattered them, delivered them.

Once I thought I was made of books.


----------
[first read on Thunderclap Press; available for free online]

4.09.2012

Stopping by Woods on a Snowy Evening by Robert Frost

Whose woods these are I think I know.
His house is in the village though;
He will not see me stopping here
To watch his woods fill up with snow.

My little horse must think it queer
To stop without a farmhouse near
Between the woods and frozen lake
The darkest evening of the year.

He gives his harness bells a shake
To ask if there is some mistake.
The only other sound’s the sweep
Of easy wind and downy flake.

The woods are lovely, dark and deep.
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep.


----------
[first read on Poetry Foundation; available for free online]

4.08.2012

Acquainted with the Night by Robert Frost

I have been one acquainted with the night.
I have walked out in rain—and back in rain.
I have outwalked the furthest city light.

I have looked down the saddest city lane.
I have passed by the watchman on his beat
And dropped my eyes, unwilling to explain.

I have stood still and stopped the sound of feet
When far away an interrupted cry
Came over houses from another street,

But not to call me back or say good-bye;
And further still at an unearthly height,
One luminary clock against the sky

Proclaimed the time was neither wrong nor right
I have been one acquainted with the night.


----------
[first read on Academy of American Poets; available for free online]

4.07.2012

Abraham Lincoln Walks at Midnight by Vachel Lindsay

(In Springfield, Illinois)


It is portentous, and a thing of state
That here at midnight, in our little town
A mourning figure walks, and will not rest,
Near the old court-house pacing up and down,

Or by his homestead, or in shadowed yards
He lingers where his children used to play,
Or through the market, on the well-worn stones
He stalks until the dawn-stars burn away.

A bronzed, lank man!  His suit of ancient black,
A famous high top-hat and plain worn shawl
Make him the quaint great figure that men love,
The prairie-lawyer, master of us all.

He cannot sleep upon his hillside now.
He is among us:—as in times before!
And we who toss and lie awake for long,
Breathe deep, and start, to see him pass the door.

His head is bowed.  He thinks of men and kings.
Yea, when the sick world cries, how can he sleep?
Too many peasants fight, they know not why;
Too many homesteads in black terror weep.

The sins of all the war-lords burn his heart.
He sees the dreadnaughts scouring every main.
He carries on his shawl-wrapped shoulders now
The bitterness, the folly and the pain.

He cannot rest until a spirit-dawn
Shall come;—the shining hope of Europe free:
A league of sober folk, the Workers’ Earth,
Bringing long peace to Cornland, Alp and Sea.

It breaks his heart that things must murder still,
That all his hours of travail here for men
Seem yet in vain.  And who will bring white peace
That he may sleep upon his hill again?


----------
[poem is in the public domain]

4.06.2012

What Kind of Times Are These by Adrienne Rich

There’s a place between two stands of trees where the grass grows uphill
and the old revolutionary road breaks off into shadows
near a meeting-house abandoned by the persecuted
who disappeared into those shadows.

I’ve walked there picking mushrooms at the edge of dread, but don’t be fooled
this isn’t a Russian poem, this is not somewhere else but here,
our country moving closer to its own truth and dread,
its own ways of making people disappear.

I won’t tell you where the place is, the dark mesh of the woods
meeting the unmarked strip of light—
ghost-ridden crossroads, leafmold paradise:
I know already who wants to buy it, sell it, make it disappear.

And I won’t tell you where it is, so why do I tell you
anything?  Because you still listen, because in times like these
to have you listen at all, it’s necessary
to talk about trees.


----------
[first read on Poetry Foundation and various other sources; available for free online]

4.05.2012

Reality Demands by Wisława Szymborska

Reality demands
that we also mention this:
Life goes on.
It continues at Cannae and Borodino,
at Kosovo Polje and Guernica.

There’s a gas station
on a little square in Jericho,
and wet paint
on park benches in Bila Hora.
Letters fly back and forth
between Pearl Harbor and Hastings,
a moving van passes
beneath the eye of the lion at Cheronea,
and the blooming orchards near Verdun
cannot escape
the approaching atmospheric front.

There is so much Everything
that Nothing is hidden quite nicely.
Music pours
from the yachts moored at Actium
and couples dance on their sunlit decks.

So much is always going on,
that it must be going on all over.
Where not a stone still stands
you see the Ice Cream Man
besieged by children.
Where Hiroshima had been
Hiroshima is again,
producing many products
for everyday use.

This terrifying world is not devoid of charms,
of the mornings
that make waking up worthwhile.
The grass is green
on Maciejowice’s fields,
and it is studded with dew,
as is normal with grass.

Perhaps all fields are battlefields,
all grounds are battlegrounds,
those we remember
and those that are forgotten:
the birch, cedar, and fir forests, the white snow,
the yellow sands, gray gravel, the iridescent swamps,
the canyons of black defeat,
where, in times of crisis,
you can cower under a bush.


----------
[This is just one variation/translation from Polish.  This translation is my favorite; and all variations are available for free online.]

4.04.2012

Concord Hymn by Ralph Waldo Emerson

By the rude bridge that arched the flood,
Their flag to April’s breeze unfurled,
Here once the embattled farmers stood,
And fired the shot heard round the world.

The foe long since in silence slept;
Alike the conqueror silent sleeps;
And Time the ruined bridge has swept
Down the dark stream which seaward creeps.

On this green bank, by this soft stream,
We set to-day a votive stone;
That memory may their deed redeem,
When, like our sires, our sons are gone.

Spirit, that made those spirits dare,
To die, and leave their children free,
Bid Time and Nature gently spare
The shaft we raise to them and thee.


----------
[poem is in the public domain]

4.03.2012

Paul Revere's Ride by Henry Wadsworth Longfellow

Listen, my children, and you shall hear
Of the midnight ride of Paul Revere,
On the eighteenth of April, in Seventy-Five:
Hardly a man is now alive
Who remembers that famous day and year.

He said to his friend, — “If the British march
By land or sea from the town to-night,
Hang a lantern aloft in the belfry-arch
Of the North-Church-tower, as a signal-light, —
One if by land, and two if by sea;
And I on the opposite shore will be,
Ready to ride and spread the alarm
Through every Middlesex village and farm,
For the country-folk to be up and to arm.”

Then he said good-night, and with muffled oar
Silently rowed to the Charlestown shore,
Just as the moon rose over the bay,
Where swinging wide at her moorings lay
The Somersett, British man-of-war:
A phantom ship, with each mast and spar
Across the moon, like a prison-bar,
And a huge, black hulk, that was magnified
By its own reflection in the tide.

Meanwhile, his friend, through alley and street
Wanders and watches with eager ears,
Till in the silence around him he hears
The muster of men at the barrack-door,
The sound of arms, and the tramp of feet,
And the measured tread of the grenadiers
Marching down to their boats on the shore.

Then he climbed to the tower of the church,
Up the wooden stairs, with stealthy tread,
To the belfry-chamber overhead,
And startled the pigeons from their perch
On the sombre rafters, that round him made
Masses and moving shapes of shade, —
Up the light ladder, slender and tall,
To the highest window in the wall,
Where he paused to listen and look down
A moment on the roofs of the town,
And the moonlight flowing over all.

Beneath, in the churchyard, lay the dead
In their night-encampment on the hill,
Wrapped in silence so deep and still,
That he could hear, like a sentinel’s tread,
The watchful night-wind, as it went
Creeping along from tent to tent,
And seeming to whisper, “All is well!”
A moment only he feels the spell
Of the place and the hour, the secret dread
Of the lonely belfry and the dead;
For suddenly all his thoughts are bent
On a shadowy something far away,
Where the river widens to meet the bay, —
A line of black, that bends and floats
On the rising tide, like a bridge of boats.

Meanwhile, impatient to mount and ride,
Booted and spurred, with a heavy stride,
On the opposite shore walked Paul Revere
Now he patted his horse's side,
Now gazed on the landscape far and near,
Then impetuous stamped the earth,
And turned and tightened his saddle-girth;
But mostly he watched with eager search
The belfry-tower of the old North Church,
As it rose above the graves on the hill,
Lonely, and spectral, and sombre, and still.

And lo! as he looks, on the belfry’s height,
A glimmer, and then a gleam of light!
He springs to the saddle, the bridle he turns,
But lingers and gazes, till full on his sight
A second lamp in the belfry burns!

A hurry of hoofs in a village-street,
A shape in the moonlight, a bulk in the dark,
And beneath from the pebbles, in passing, a spark
Struck out by a steed that flies fearless and fleet:
That was all! And yet, through the gloom and the light,
The fate of a nation was riding that night;
And the spark struck out by that steed, in his flight,
Kindled the land into flame with its heat.

It was twelve by the village-clock,
When he crossed the bridge into Medford town.
He heard the crowing of the cock,
And the barking of the farmer’s dog,
And felt the damp of the river-fog,
That rises when the sun goes down.

It was one by the village-clock,
When he rode into Lexington.
He saw the gilded weathercock
Swim in the moonlight as he passed,
And the meeting-house windows, blank and bare,
Gaze at him with a spectral glare,
As if they already stood aghast
At the bloody work they would look upon.

It was two by the village-clock,
When be came to the bridge in Concord town.
He heard the bleating of the flock,
And the twitter of birds among the trees,
And felt the breath of the morning-breeze
Blowing over the meadows brown.
And one was safe and asleep in his bed
Who at the bridge would be first to fall,
Who that day would be lying dead,
Pierced by a British musket-ball.

You know the rest. In the books you have read
How the British regulars fired and fled, —
How the farmers gave them ball for ball,
From behind each fence and farmyard-wall,
Chasing the red-coats down the lane,
Then crossing the fields to emerge again
Under the trees at the turn of the road,
And only pausing to fire and load.

So through the night rode Paul Revere;
And so through the night went his cry of alarm
To every Middlesex village and farm, —
A cry of defiance, and not of fear, —
A voice in the darkness, a knock at the door,
And a word that shall echo forevermore!
For, borne on the night-wind of the Past,
Through all our history, to the last,
In the hour of darkness and peril and need,
The people will waken and listen to hear
The hurrying hoof-beat of that steed,
And the midnight-message of Paul Revere.


----------
[poem is in the public domain]

4.02.2012

The Things by Donald Hall

When I walk in my house I see pictures,
bought long ago, framed and hanging
—de Kooning, Arp, Laurencin, Henry Moore—
that I’ve cherished and stared at for years,
yet my eyes keep returning to the masters
of the trivial—a white stone perfectly round,
tiny lead models of baseball players, a cowbell,
a broken great-grandmother’s rocker,
a dead dog’s toy—valueless, unforgettable
detritus that my children will throw away
as I did my mother’s souvenirs of trips
with my dead father, Kodaks of kittens,
and bundles of cards from her mother Kate.




----------
[first read on the Academy of American Poets; available for free online]

4.01.2012

Four Months From Now by Rebecca Schumejda

Afraid to push into me, you
go downstairs to read the paper.
In the kitchen’s dull light,
the shadows on the walls
become a city of uninvited guests.
We’ll have to get used to
not being alone anymore.
When you read, the scars
above each of your eyes
crease.  The thin line between
then and now, the shadows
of who you were, push in
and out like the tide
and heavy thoughts, unafraid.
Don’t tell me not to worry:
I’ve witnessed the ocean steal
a child from his mother;
the stretch marks left on
abandoned shores, your eyes
in the shadow of thought,
so distant and unrecognizable
like the child you’re afraid you’ll hurt.




----------
[first read in The Somerville News; available for free online and used with permission of the author via Propaganda Press]

3.30.2012

Poem Monkey by PM

I have
a manual typewriter
under a small tent
outside
in the open air.

You step up
and give me
five bucks.

You say,

“Write me a poem,
monkey;
write one
about
my
dirty socks.”

I say,

“Yeah,
I can
write
a poem
about that:”

his wife is asleep
and he sits
on the edge
of the bed
in the
dark.
he quietly removes
his shoes
and his dirty
socks.

he can still
smell
the other
woman’s
perfume
on his fingers
lingering
in the
heavy darkness.

“Anything at all,”

I say,
folding the five,
as you walk
away
with
your
wife.




----------
[first read on Poem Monkey; available for free online]

3.29.2012

O Captain! My Captain! by Walt Whitman

O Captain! my Captain! our fearful trip is done;
The ship has weather’d every rack, the prize we sought is won;
The port is near, the bells I hear, the people all exulting,
While follow eyes the steady keel, the vessel grim and daring:
     But O heart! heart! heart!
       O the bleeding drops of red,
         Where on the deck my Captain lies,
           Fallen cold and dead.

O Captain! my Captain! rise up and hear the bells;
Rise up—for you the flag is flung—for you the bugle trills;
For you bouquets and ribbon’d wreaths—for you the shores a-crowding;
For you they call, the swaying mass, their eager faces turning;
     Here Captain! dear father!
       This arm beneath your head;
         It is some dream that on the deck,
           You’ve fallen cold and dead.

My Captain does not answer, his lips are pale and still;
My father does not feel my arm, he has no pulse nor will;
The ship is anchor’d safe and sound, its voyage closed and done;
From fearful trip, the victor ship, comes in with object won;
     Exult, O shores, and ring, O bells!
       But I, with mournful tread,
         Walk the deck my Captain lies,
           Fallen cold and dead.




----------
[poem is in the public domain]

3.28.2012

Apples by Brittany Good

Where I come from the air reeks of apples.
Against the gnarled trees rest burned-out car frames,
charred balls of boredom.
Milton used to stand, withered and frail,
on the decaying sidewalk in front of the town library,
waving sweetly to the passing cars.
He has faded to a breath of dust by now — a pale apparition.
The roads, speckled with crooked lines, twist and contort
through ragged mountains.

Not in Boston, where the homeless seem like artists
who have lost their way.
Walking through Beacon Hill, I twist my ankles
on the cobblestone streets.
I pass a woman so perfectly contrived —
a Burberry jacket to match
her microscopic dog’s Burberry sweater.
I finger the frosty wrought-iron gates,
warped metal snakes of the wealthy.

As I stand in front of the 7-Eleven,
its wood-carved, gold-accented sign
creaking in the bleak Boston wind,
I spot a man across the street.
He’s donning khaki overalls
splattered in blue, red, and green paint,
dragging viciously on his Marlboro Red,
his eyes like two rotting apples.
I think of home.




----------
[first read in Mastodon Dentist number five; used with permission of author via Propaganda Press]

3.27.2012

Fog by Carl Sandburg

The fog comes
on little cat feet. 

It sits looking
over harbor and city
on silent haunches
and then moves on.




----------
[poem is in multiple collections in print and for free online]

3.26.2012

The Charge of the Light Brigade by Alfred, Lord Tennyson

Half a league, half a league,
Half a league onward, 
All in the valley of Death 
Rode the six hundred. 
“Forward the Light Brigade!
Charge for the guns!” he said.
Into the valley of Death
Rode the six hundred.

“Forward, the Light Brigade!”
Was there a man dismay’d?
Not tho’ the soldier knew
Some one had blunder’d.
Theirs not to make reply,
Theirs not to reason why,
Theirs but to do and die.
Into the valley of Death
Rode the six hundred.

Cannon to right of them,
Cannon to left of them,
Cannon in front of them
Volley’d and thunder’d;
Storm’d at with shot and shell,
Boldly they rode and well,
Into the jaws of Death,
Into the mouth of hell
Rode the six hundred.

Flash’d all their sabres bare,
Flash’d as they turn’d in air
Sabring the gunners there,
Charging an army, while
All the world wonder’d.
Plunged in the battery-smoke
Right thro’ the line they broke;
Cossack and Russian
Reel’d from the sabre-stroke
Shatter’d and sunder’d.
Then they rode back, but not,
Not the six hundred.

Cannon to right of them,
Cannon to left of them,
Cannon behind them
Volley’d and thunder’d;
Storm’d at with shot and shell,
While horse and hero fell,
They that had fought so well
Came thro’ the jaws of Death,
Back from the mouth of hell,
All that was left of them,
Left of six hundred.

When can their glory fade?
O the wild charge they made!
All the world wonder’d.
Honor the charge they made!
Honor the Light Brigade,
Noble six hundred!




----------
[poem is in the public domain]

3.25.2012

Her Name Was Ruth, She Hated Her Name by Jenifer Wills

Photographs haunt me
every October. Souls reaching
through eyes that never
blink, hands frozen in gesture.  What
is it your fingers are hiding
in that tiny steeple?

I’ve written a hundred poems
on the subject of my mother’s death,
but have I mentioned
the last thing she ate?

Macaroni and cheese, against
the doctors wishes because, you know,
how morphine slows.  Have I ever written
it exactly so?

Did I tell you how she
looked surprised?

How she gave him
a glance from the corner of her eyes, then
vomited the blood on which she would choke
to death?

He tried to catch her
as she fell, but her skull smacked the wood
as she died, still beautiful even in sickness
at age fifty.

She was thrown by my brother’s hands
into the Pacific Ocean.

I’m going
to walk into the photographs
of those troubled enough
to have loved me, strolling a sea
of salt, saline
and ink
into horizon
of good intentions;
into the tiny steeple
of your fingers.




----------
[first read on LiteraryMary; used with permission of the author via Propaganda Press]

3.24.2012

Estimated Losses by Aleathia Drehmer

On the brink of death
laden with possibility’s
name — life — something
coveted and created,
always chasing after
10 fingers
10 toes
1 smile
at
any cost.

She looks at me,
her face ashen with worry
that only comes on the
coattails of a dying life,
and tells me she doesn’t
feel so well.

I try to hide my knowledge
from her, this knowing that
her belly is rising with blood
and faded dreams of motherhood,
now holding on by threads.

My hand touches hers
understanding the chances
we’ll take for sweet replications
of our love.




----------
[first read in her chapbook You Find Me Everywhere; used with permission of Propaganda Press]

3.23.2012

The Highwayman by Alfred Noyes

PART ONE

I

The wind was a torrent of darkness among the gusty trees,
The moon was a ghostly galleon tossed upon cloudy seas,
The road was a ribbon of moonlight over the purple moor,
And the highwayman came riding—
Riding— riding—
The highwayman came riding, up to the old inn-door.

II

He’d a French cocked-hat on his forehead, a bunch of lace at his chin,
A coat of the claret velvet, and breeches of brown doe-skin;
They fitted with never a wrinkle: his boots were up to the thigh!
And he rode with a jewelled twinkle,
His pistol butts a-twinkle,
His rapier hilt a-twinkle, under the jewelled sky.

III

Over the cobbles he clattered and clashed in the dark inn-yard,
And he tapped with his whip on the shutters, but all was locked and barred;
He whistled a tune to the window, and who should be waiting there
But the landlord’s black-eyed daughter,
Bess, the landlord’s daughter,
Plaiting a dark red love-knot into her long black hair.

IV

And dark in the dark old inn-yard a stable-wicket creaked
Where Tim the ostler listened; his face was white and peaked;
His eyes were hollows of madness, his hair like mouldy hay,
But he loved the landlord’s daughter,
The landlord’s red-lipped daughter,
Dumb as a dog he listened, and he heard the robber say—

V

“One kiss, my bonny sweetheart, I’m after a prize to-night,
But I shall be back with the yellow gold before the morning light;
Yet, if they press me sharply, and harry me through the day,
Then look for me by moonlight,
Watch for me by moonlight,
I’ll come to thee by moonlight, though hell should bar the way.”

VI

He rose upright in the stirrups; he scarce could reach her hand,
But she loosened her hair i’ the casement! His face burnt like a brand
As the black cascade of perfume came tumbling over his breast;
And he kissed its waves in the moonlight,
(Oh, sweet, black waves in the moonlight!)
Then he tugged at his rein in the moonliglt, and galloped away to the West.



PART TWO

I

He did not come in the dawning; he did not come at noon;
And out o’ the tawny sunset, before the rise o’ the moon,
When the road was a gypsy’s ribbon, looping the purple moor,
A red-coat troop came marching—
Marching— marching—
King George’s men came marching, up to the old inn-door.

II

They said no word to the landlord, they drank his ale instead,
But they gagged his daughter and bound her to the foot of her narrow bed;
Two of them knelt at her casement, with muskets at their side!
There was death at every window;
And hell at one dark window;
For Bess could see, through her casement, the road that he would ride.

III

They had tied her up to attention, with many a sniggering jest;
They had bound a musket beside her, with the barrel beneath her breast!
“Now, keep good watch!” and they kissed her.  She heard the dead man say—
Look for me by moonlight;
Watch for me by moonlight;
I’ll come to thee by moonlight, though hell should bar the way!

IV

She twisted her hands behind her; but all the knots held good!
She writhed her hands till her fingers were wet with sweat or blood!
They stretched and strained in the darkness, and the hours crawled by like years,
Till, now, on the stroke of midnight,
Cold, on the stroke of midnight,
The tip of one finger touched it! The trigger at least was hers!

V

The tip of one finger touched it; she strove no more for the rest!
Up, she stood up to attention, with the barrel beneath her breast,
She would not risk their hearing; she would not strive again;
For the road lay bare in the moonlight;
Blank and bare in the moonlight;
And the blood of her veins in the moonlight throbbed to her love’s refrain.

VI

Tlot-tlot; tlot-tlot!  Had they heard it?  The horse-hoofs ringing clear;
Tlot-tlot, tlot-tlot, in the distance?  Were they deaf that they did not hear?
Down the ribbon of moonlight, over the brow of the hill,
The highwayman came riding,
Riding— riding!
The red-coats looked to their priming!  She stood up, straight and still!

VII

Tlot-tlot, in the frosty silence!  Tlot-tlot, in the echoing night!
Nearer he came and nearer! Her face was like a light!
Her eyes grew wide for a moment; she drew one last deep breath,
Then her finger moved in the moonlight,
Her musket shattered the moonlight,
Shattered her breast in the moonlight and warned him—with her death.

VIII

He turned; he spurred to the West; he did not know who stood
Bowed, with her head o’er the musket, drenched with her own red blood!
Not till the dawn he heard it, his face grew grey to hear
How Bess, the landlord’s daughter,
The landlord’s black-eyed daughter,
Had watched for her love in the moonlight, and died in the darkness there.

IX

Back, he spurred like a madman, shrieking a curse to the sky,
With the white road smoking behind him and his rapier brandished high!
Blood-red were his spurs i’ the golden noon; wine-red was his velvet coat,
When they shot him down on the highway,
Down like a dog on the highway,
And he lay in his blood on the highway, with the bunch of lace at his throat.

X

And still of a winter’s night, they say, when the wind is in the trees,
When the moon is a ghostly galleon tossed upon cloudy seas,
When the road is a ribbon of moonlight over the purple moor,
A highwayman comes riding—
Riding— riding—
A highwayman comes riding, up to the old inn-door.

XI

Over the cobbles he clatters and clangs in the dark inn-yard;
He taps with his whip on the shutters, but all is locked and barred;
He whistles a tune to the window, and who should be waiting there
But the landlord’s black-eyed daughter,
Bess, the landlord’s daughter,
Plaiting a dark red love-knot into her long black hair.



----------
[poem is in the public domain]

3.22.2012

Quality Time by Tim Scannell

I use time with obsessive
Care only once during the day:
Getting butter to every corner,
Every goddamned edge of
The toast.




----------
[first read in Poiesis number four; used with permission from Propaganda Press]

3.21.2012

My Sister’s Miscarriage by Jason Fisk


I stood there as they squirted
the jelly on my sister’s belly
and was reminded of how my wife
giggled every time that had been done to her.
I stood there and began to sob silently
behind my sister as I saw
the baby on the screen,
but saw no movement.
I was used to hearing
the speedy little machine gun
heartbeat of my children,
but immediately knew something
was wrong as the baby
just seemed to float there in her womb.

The doctor walked us through
the ghostly images on the screen –
This is the baby’s head ...
here’s the rib cage 
this is the heart 
As soon as those words left her lips,
my sob could no longer remain silent
and was quickly joined
by my family’s sorrow
and muted chest heaves.
The technician continued
to earnestly search
for the missing heartbeat.
My sister finally said –
Could you please stop?




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[first read in his chapbook The Sagging: Spirits & Skin; used with permission from Propaganda Press]

3.19.2012

The Rosebud by Jason Fisk

I hadn’t seen you
since the day you told
me you were pregnant,
in that cafe.  It was
a September day,
filled with a cold fall rain.
I remember thinking
that I could smell the rain
on people as they passed our table.
There was an unopened
rosebud in a simple
glass vase on our table.
What am I going to do?
You asked
over and over.

Today we stood in the aisle
between the cards
and the candles
at Target, small talk
our armor.  I looked
at your empty belly.
You pulled your jacket closed.
“Well, it sure is good to see you,
we’ll have to get together sometime,”
you lied.  I wanted to tell you
that I had learned
in a poem
that the Japanese
prefer the rose bud
to the rose blossom,
but how do you fit
that into conversation?




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[first read in his chapbook The Sagging: Spirits & Skin; used with permission from Propaganda Press]

3.18.2012

I Love You by Sara Teasdale

When April bends above me
And finds me fast asleep, 
Dust need not keep the secret 
A live heart died to keep. 

When April tells the thrushes, 
The meadow-larks will know, 
And pipe the three words lightly 
To all the winds that blow. 

Above his roof the swallows, 
In notes like far-blown rain, 
Will tell the little sparrow 
Beside his window-pane. 

O sparrow, little sparrow, 
When I am fast asleep, 
Then tell my love the secret 
That I have died to keep.



----------
[poem in the public domain]

3.17.2012

Goodwill by Ed Galing

just want to let you
know that the Goodwill called the
other day;
     wanted to know if i had any
clothing to give away, that no
one wanted anymore;
     i said, well, my wife is no
longer with me, and i have clothes
hanging in her closet ... could you
use them?
     the Goodwill people said they
could, if i didn’t mind, so i thought
that since you can’t use them anymore,
     i would give them to the Goodwill ...
i hope you don’t mind this, honey ...
     i went up to the second floor
and took a plastic bag with me,
and began to put some of your clothes
in there;
     i hope you don’t mind that i
gave away your two-piece white suit
     that you wore down in atlantic
city with me, when we walked on the
boardwalk, do you remember?  i can still
see how lovely you were,
the way you strode up that
boardwalk, so happy, who knew what the
rest would bring?
     i also put in there a few sweaters
you used to wear, and some hats and
shoes, and your pretty red dress you once
wore at our son’s wedding, so many years
ago; i was crying as i put them in the
bag, honey, but i know you are looking
down on me and smiling, and saying, it’s
okay, it’s okay ... i took the bag outside
and placed it there for the Goodwill
people
     i hope you don’t mind




----------
[first read in his chapbook Sweet & Sour: life poems; used with permission from Propaganda Press]

3.16.2012

THERE IS NO PHOTOGRAPH OF ALL OF US by John Grey

I am not in the photograph.  Pretend I am.
My sisters, three, their brown hair in
barrettes, piled atop their heads.  Their
eyes scallop-shell wide, their mouths
wide and grinning, trying to imitate the
camera flash.  Make believe that’s me with
them.  A shock of baby gold hair.  Blue
eyes.  The smile of all that’s ignorant of
the true world.  My sisters in their school
tunics, green and red.  See me there as
the only boy, the little one in baby clothes
before he knows a thing.  My father’s shadow
reaches to their dainty shoes.  I’m that
shadow.  He’s killed on the job six months
later and I’m born into that death.  He pats
my head and is gone.  You weep and
I’m in tears.  Rip up that shadow, toss
away the pieces, sprinkle the spaces
with a collage of my first steps, my first
words, my face, clean and pretty.  Three
young girls pose for the last year of
his life.  I can feel you out of camera
range willing your pregnancy to end so I
can join them.  Your cramps twist up my stomach.
Your morning sickness catches in my throat.




----------
[first read in ZYX number fifty-six]

3.15.2012

Planting (for Kaya) by Rebecca Schumejda

As your father pushes soil over seeds,
you dig them back up.

“No,” leads to a tantrum
on top of where the summer squash will grow.

Since your father knows how much
of who we are gets planted early;

he wraps explanations
around your trembling body.

In the background, I attack weeds
suffocating roses,

the way I suspect my mother would have
under similar circumstances.




----------
[first read in nibble number eight]

3.14.2012

An Insistent and Eager Harmoniousness to Things by David Keplinger

—David Abram 



Like an enormous leech the pancreas lies with its head tucked into the duodenum, upside down, the tail outstretched over it, an animal curled in on itself. In the preserve jar of the belly, it wriggles like a strange, medieval cure. When we sleep, Anicka, the pancreas secretes its juices, reverting tonight’s toutlerre into Germanic syllables again: cake, meat, blood. All of this healing is out of our hands. I turn to you, completely unconscious. Completely unconscious, you turn to me.




----------
[first read on the Academy of American Poets; available for free online]

3.13.2012

The Novel as Manuscript by Norman Dubie

—an ars poetica



I remember the death, in Russia,
of postage stamps
like immense museum masterpieces
patchwork
wrapped in linen, tea stained,
with hemp for strapping ...

these colored stamps designed for foreign places
were even printed during famine—
so when they vanished, so did the whole
Soviet system:
the Berlin Wall, tanks from Afghanistan
and Ceausescu’s bride before a firing squad.

It had begun with the character of Yuri Zhivago
in a frozen wilderness, the summer house
of his dead in-laws, his
pregnant mistress asleep
before the fireplace
with flames dancing around a broken chair, piano keys
and the gardener’s long black underwear.

Lara lying there. A vulgar fat businessman
coming by sleigh to collect her for the dangers
of a near arctic escape ...

But for Yuri, not that long ago, he was
with celebrity,
a young doctor publishing a thin volume
of poems in France, he was writing
now at a cold desk
poems against all experience
and for love of a woman buried
in moth-eaten furs on the floor—

while he wrote
wolves out along the green treeline
howled at him. The author of this novel,
Boris Pasternak arranged it all. Stalin would
have liked to have killed him. But superstition kept him from it.
So, the daughter of Pasternak’s mistress eventually
is walking with a candle
through a prison basement—
she is stepping over acres of twisted corpses
hoping to locate her vanished mother ...
she thinks this reminds her of edging slowly
over the crust on a very deep snow, just a child who believes
she is about to be swallowed by the purity of it all,
like this write your new poems.




----------
[first read on the Academy of American Poets; available for free online]

3.12.2012

Prayer for My Unborn Niece or Nephew by Ross Gay

Today, November 28th, 2005, in Pittsburgh, Pennsylvania,
I am staring at my hands in the common pose
of the hungry and penitent.  I am studying again
the emptiness of my clasped hands, wherein I see
my sister-in-law days from birthing
the small thing which will erase,
in some sense, the mystery of my father’s departure;
their child will emerge with ten fingers,
and toes, howling, and his mother will hold
his gummy mouth to her breast and the stars
will hang above them and not one bomb
will be heard through that night.  And my brother will stir,
waking with his wife the first few days, and he will run
his long fingers along the soft terrain of his child’s skull
and not once will he cover the child’s ears
or throw the two to the ground and cover them
from the blasts.  And this child will gaze
into a night which is black and quiet.
She will pull herself up to her feet
standing like a buoy in wind-grooved waters,
falling, and rising again, never shaken
by an explosion.  And her grandmother
will watch her stumble through a park or playground,
will watch her sail through the air on swings,
howling with joy, and never once
will she snatch her from the swing and run
for shelter because again, the bombs are falling.
The two will drink cocoa, the beautiful lines
in my mother’s face growing deeper as she smiles
at the beautiful boy flipping the pages of a book
with pictures of dinosaurs, and no bomb
will blast glass into this child’s face, leaving
the one eye useless.  No bomb will loosen the roof,
crushing my mother while this child sees
plaster and wood and blood where once his Nana sat.
This child will not sit with his Nana, killed by a bomb,
for hours.  I will never drive across two states
to help my brother bury my mother this way.  To pray
and weep and beg this child to speak again.
She will go to school with other children,
and some of them will have more food than others,
and some will be the witnesses of great crimes,
and some will describe flavors with colors, and some
will have seizures, and some will read two grade
levels ahead, but none of them will tip their desks
and shield their faces, nor watch as their teacher
falls out of her shoes, clinging to the nearest child.
This child will bleed
and cry and curse his living parents
and slam doors and be hurt and hurt again.  And she will feel
clover on her bare feet.  Will swim in frigid waters.
Will climb trees and spy cardinal chicks blind
and peeping.  And no bomb will kill this child’s parents.
No bomb will kill this child’s grandparents.  No bomb
will kill this child’s uncles.  And no bomb will kill
this child, who will raise to his mouth
some small morsel of food of which there is more
while bombs fall from the sky like dust
brushed from the hands of a stupid god and children
whose parents named them will become dust
and their parents will drape themselves in black
and dream of the tiny mouths which once reared
to suckle or gasp at some bird sailing by
and their tears will make a mud which will heal nothing,
and today I will speak no word
except the name of that child whose absence
makes the hands of her parents shiver.  A name
which had a meaning.

As will yours.


—for Mikayla Grace




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[first read on the Academy of American Poets; available for free online]

3.11.2012

Self-portrait as Thousandfurs by Stacy Gnall

To have been age enough.
To have been leg enough.
Been enough bold.  Said no.
Been a girl grown into that
negative construction.  Or said yes
on condition of a dress.  To be yours
if my skirts skimmed the floors.
To have demanded each seam
celestial, appealed for planetary pleats.
And when you saw the sun a sequin,
the moon a button shaped from glass,
and in the stars a pattern
for a dress, when the commission
proved too minute, and the frocks
hung before me like hosts,
to have stood then at the edge
of the wood, heard a hound’s bark
and my heart hark in return.
To have seen asylum in the scruffs
of neck—mink, lynx, ocelot, fox,
Kodiak, ermine, wolf—felt a claw
curve over my sorrow then.  Said yes
on condition of a dress.  To be yours
if my skirts skimmed the floors.
To have demanded each seam
just short of breathing, my mouth
a-beg for bestial pleats.
And when you saw tails as tassels,
underskins sateen, and in entrails
damasks of flowers and fruit,
when the bet proved not too broad
for you, and before me, the cloak held
open as a boast, to have slipped
into that primitive skin.  To have
turned my how how into a howl.  To have
picked up my heavy hem and run.




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[first read on the Academy of American Poets; available for free online]

3.10.2012

The Look by Sara Teasdale

Strephon kissed me in the spring,
          Robin in the fall, 
But Colin only looked at me 
          And never kissed at all. 

Strephon’s kiss was lost in jest, 
          Robin’s lost in play, 
But the kiss in Colin’s eyes 
          Haunts me night and day.




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[first read on the Academy of American Poets; available for free online]